Homeless, just the sound of word is often enough to make us shudder. We walk past the mentally ill living on the streets of New York or San Francisco. Sometimes we reach into our wallets and drop a dollar or two into someone’s cup. Other times we just look up and keep walking, pretending not […]
Yes. That’s Marching Through Georgia in that clip. Smokey and the Bandit, which was the second highest grossing film in 1977, beaten out only by Star Wars, is not only a great “bad” movie. It’s a fascinating glimpse into the world of the late 1970s. Saturday Night Fever, which was released a few months later, […]
City Lights, which is widely considered to be, not only one of the greatest silent films ever made, but one of the greatest films ever made, is all that and more. As Portland State University instructor Dennis Grunes points, out Charlie Chaplin’s masterpiece is “the seminal American movie of the Great Depression.” Then why did […]
The best tribute anybody can pay to Tom Hayden is that he exemplified one of the cliches of his generation. “Never trust anybody over thirty.” Born in 1939 to a middle-class Irish Catholic family in Royal Oak Michigan, came out of the University of Michigan as not only an important student leader, but as one […]
Since my bike doesn’t have a horn and I can’t honk, I guess I’ll have to vote for Jill Stein.
(Note: This review is not about the 1959 version of Ben-Hur with Charlton Heston, which is a dull, bloated, overrated movie, or about the 2015 version, which nobody saw, but the original, silent epic Ben-Hur: A Tale of the Christ, which is a masterpiece.) On April 6 and April 7 of 1862 one of the […]
Technically not fat. Skinny forearms.
Technically not fat.
The General is a cinematic marvel. If you’re under any illusion the Buster Keaton was merely a slapstick comedian, see it now. As a pure filmmaker, Keaton was fully the equal of Eisenstein, Vertov and Pudovkin, his three great Soviet contemporaries. Nevertheless, to compare The General to October, A Man With a Movie Camera, or […]
Mother, Vsevolod Pudovkin’s first major film, was released in 1926, two years before The End of St. Petersburg. I’ll leave the question of whether or not Mother is a feminist movie to the feminists. This essay by Cara Marisa Deleon does a better job of breaking down the way Mother approaches gender issues than I […]