Category Female Film Directors

Skate Kitchen (2018)

When the teenage skate boarder Nina Moran talks about the first time she got on a skateboard, I instantly recognized how she felt, that sense of freedom, of independence, of confidence that comes with moving under your own power. Taking up cycling in my late-30s after a decade’s hiatus almost cured me almost instantly of […]

Huntress (2018)

Riding a bicycle in NYC is a challenging sport. The first time I ever tried, I gave up before I even started. I was at the end of my ride from New Jersey through Massachusetts, Rhode Island, and Connecticut. A week earlier I had ridden 100 miles in steady rain from Springfield through Worcester to […]

Leave No Trace (2018)

D.H. Lawrence’s observation that “the essential American soul is hard, isolate, stoic, and a killer,” that “it has never yet melted,” has always been obvious to everybody but Americans. Like all predators, we see ourselves, not as hunters, but as the hunted. In reality, we’ve always been both. For an Iraqi, a Vietnamese, or a […]

Sarah Polley and Hollywood Rape Culture

Fans of the Armenian Canadian filmmaker Atom Egoyan will recognize Sarah Polley from Exotica, where she played a victim of emotional abuse, and The Sweet Hereafter, where she played a victim of sexual abuse. You might also remember her as Abigail Adams Smith, an intelligent and sensitive young woman unable to come out from under the […]

Detroit (2017)

Kathryn Bigelow has directed good movies. The long chase scene in Point Break where Patrick Swayze throws a pit bull at Keanu Reeves is just an entertaining piece of cinema. She’s also directed bad movies. Zero Dark Thirty was not only propaganda for the CIA and the “war on terror.” It was dull, bloated, and […]

Wonder Woman (2017)

I went to see Wonder Woman, which was released last month with a great deal of critical praise, some controversy, and overwhelming success at the box office, mainly for one reason. I wanted to see a superhero movie set during the First World War, which, as the late Paul Fussell has argued, is the real […]

The Avant-Garde, Zeenat Aman

The cinema of the 70s is often termed as an era that marveled the art of pop culture reorientation. A decade that immersed itself in the chaos of coming of age screenplay and ever inspired music ensemble, the flights of imagination was anything but predictable. It was during this period that Hindi cinema saw the […]

From Renee Smith to Sita Devi: Retrieving the Forgotten Enchantress of Silent Era

Indian cinema had birthed a fair share of visionaries even before the beginning of what later came to be termed as the Golden era. Under the reigns of the British Raj, certain Indian artists thrived upon the offerings that colonial engagements with art had to offer and used the political situation of the period to […]

City of God (2002)

In 1960, as a part of an ongoing campaign of “slum clearance,” the Brazilian state of Guanabara built a large housing project on the west of Rio de Janeiro. The settlement, also known as Cidade de Deus, the City of God, eventually became a dumping ground for the underclass of Rio de Janeiro. Unlike Flint, […]

Revisiting The Oeuvre of Bazaar-e-Husn

There aren’t many works of cinematic art that become cinematic in their own right. The legacy of these works transcends what is projected on the screen and venture into the arenas of popularity that was quite unintended by the creator itself. Pakeezah, a Hindi Cinema classic that took almost 15 years to complete, is one […]