Category Male Film Directors

The Real Problem with Black Panther (2018)

I have little or no interest in superhero movies. Nevertheless, there are  times, The Dark Knight Rises after the Aurora Colorado shootings, Wonder Woman after Hillary Clinton’s loss to Donald Trump,  when I almost feel as if it’s my civic duty to see the latest offering from Marvel or DC Comics. After Black Panther grossed […]

Gender and Abuse in Cinema: Lessons that Hollywood Should Learn From Malayalam Film Industry.

The Harvey Weinstein (and others) revelations are emotionally devastating but should not be understood from an ‘immediacy’ perspective. There exist structural inadequacies in Hollywood that are much more complex than the victim-offender perspective from which we are addressing the problem today. These inadequacies are not limited to incidents of sexual harassment or unwanted sexual advances. […]

Denis Lavant: The Greatest Actor of My Generation

As a young man in Mauvais Sang. As a middle aged man in Holy Motors. Denis Lavant, the French/American film director Leos Carax’s long time muse is the greatest actor of my generation and quite possibly the greatest pure physical actor who’s ever lived, fully the equal of Buster Keaton or young Laurence Olivier.

Sarah Polley and Hollywood Rape Culture

Fans of the Armenian Canadian filmmaker Atom Egoyan will recognize Sarah Polley from Exotica, where she played a victim of emotional abuse, and The Sweet Hereafter, where she played a victim of sexual abuse. You might also remember her as Abigail Adams Smith, an intelligent and sensitive young woman unable to come out from under the […]

Dunkirk (2017)

This is what I felt like watching Dunkirk As Matt Zoller Seitz observes, Dunkirk is not so much a war movie as it is a disaster movie disguised as a war movie. As an early member of Generation X — so early that I’m almost a Boomer — I’m old enough to remember the classic […]

Rogue One (2016)

I saw Star Wars, now called Star Wars: Episode IV – A New Hope, at exactly the right time in my life. I was twelve-years-old. As an adult I would come to see its flaws. It was elitist, racist, and simple-minded. It raised the issues of imperialism and nuclear annihilation only to dismiss them without […]

The Immigrant (2013)

Between 1880 and 1924, approximately twenty-five million immigrants settled in the United States, mostly from Eastern and Southern Europe. If their story has figured prominently in American cinema, as I have argued previously, it is not well-understood. From the original Scarface to 1970s classics like The Godfather to 1990s TV miniseries like The Sopranos, the […]

A Man Called Ove: Celebrating the Use of Space in Swedish Cinema

What are we beyond our memories? It was just after having a petty argument with the florist, an ignorant teen as she was that Ove first exposes the dimensions of his existence. Grieved by the death of the only love of his life, Sonja, we see him dissipating his space by magnifying his trivialities. A […]

Hell or High Water (2016)

As most historians know, from 1934 to 1968 American cinema was more heavily censored than any other film industry in the western world. The Motion Picture Production Code, the fruit of a partnership between the major Hollywood studios and the Catholic Church, had strict rules about what we could, and could not see in movie […]

Manchester by the Sea (2016)

Manchester by the Sea is the worst kind of bad movie. Directed by Kenneth Lonergan, whose previous films include the acclaimed You Can Count On Me, and featuring a cast that includes this year’s Best Actor winner Casey Affleck, the always excellent Michelle Williams, and a terrific young newcomer named Lucas Hedges, it is so […]