Category Film

Richard Jewell (2019)

If the liberal elite has a bogeyman, he probably looks a bit like Richard Jewell. A 33-year-old wannabe police officer, Jewell lives with his mother in Atlanta Georgia. Obese, not particularly bright, and probably a virgin, his patriotism and respect for law enforcement border on parody. In another timeline, he might have been George Zimmerman, […]

My ranking of the Best Picture Nominees

1.) Parasite: The best picture actually won Best Picture. And it was not only a foreign language film with subtitles, it was a Marxist analysis of class. How did this happen? 2.) Ford v Ferrari: Great cinema. No CGI. Seriously this film is better than it has a right to be. 3.) Once Upon a […]

Wormwood (2017)

Early in the morning on November 28, 1953, an American war criminal named Frank Olson went flying out of a 10th floor window of the Statler Hotel in New York City to his death on the sidewalk below. Olson, a bacteriologist who had developed biological weapons used in the Korean war, had become too much […]

Parasite (2019)

Back in 1982, a young Jeremy Irons starred in Moonlighting, a film about four Polish construction workers building a townhouse in London for their employer back in Warsaw. While the film was effusively praised by American critics, not only for Irons’s performance, but also for what they perceived as an anti-communist message, its director Jerzy […]

1917 (2019)

In 2020, when all you have to do to make up a new insult is to attach “bro” to the end of any word, 1917 has a rather unusual message. “Young men are good.” Indeed, not only do Lance Corporal William Schofield and Lance Corporal Tom Blake manage to keep their humanity in the middle […]

Ford v Ferrari

Ford v Ferrari is such a well-made, entertaining movie it made me do what I thought I’d never do, root for corporate America. More specifically, it made me root for the Ford Motor Company, a giant multinational corporation founded by a union-busting Nazi, against Ferrari, a posh Italian microbrand. It did so in two ways. […]

The Stranger (1946)

Early in The Stranger, perhaps the first mainstream American film about the Holocaust, Charles Rankin, a Connecticut prep school teacher played by Orson Welles, his fiancee Mary, her father, a Supreme Court Justice, her younger brother Noah, and Mr. Wilson, a federal government agent, are talking about the recent war with Germany. Rankin does not […]

Little Women (2019)

Last December when the marketing campaign for Little Women began — see it bros or you’re sexist — I tried to buy a ticket on Christmas Day, not so much to prove my “woke,” male feminist credentials, but simply because it was the least objectionable movie playing in the newly restored Cranford Theater down the […]

Dead Man Riding

In one of my favorite movies, El Cid by Anthony Mann, Charlton Heston plays Don Rodrigo Díaz de Vivar, better known to history as El Cid. Cid is not only the perfect embodiment of Christian Chivalry, he’s the ideal leader of what could have been a multicultural Spain where Muslims and Catholics lived together in […]

Three Days of the Condor (1975)

In many ways I agree with the late Dennis Grunes. Three Days of the Condor is a bad movie. The plot is slow and convoluted. The cinematography is dreary and uninspired. Robert Redford is wooden and unconvincing as an intelligence analyst who stumbles upon a rogue agency within the CIA. There’s a gratuitous, cringe worthy […]